
ALL SHE CAN director and co-writer Amy Wendel didn't go the usual route of shooting on digital to save money for her first feature film. The former school teacher wanted the grainy look and chose Super 16mm for her indie drama.

ALL SHE CAN director and co-writer Amy Wendel didn't go the usual route of shooting on digital to save money for her first feature film. The former school teacher wanted the grainy look and chose Super 16mm for her indie drama.
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