Series and Movie Reviews
The third movie in the Annabelle franchise is horror light. Watch my drive time review of ANNABELLE COMES HOME.
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The Incredibles have aged very well and so did the story. INCREDIBLES 2 is a worthy sequel that is so much fun for any age group. Jack-Jack steals the show, and the little guy will have you chucking throughout the movie and make your day. That's just what this ugly world needs right now. INCREDIBLES 2 may also validate that parenting is definitely more challenging than superhero work.
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PACIFIC RIM: UPRISING is a totally different movie from PACIFIC RIM. Guillermo del Toro's PACIFIC RIM payed homage to classic Japanese Kaiju movies while PACIFIC RIM: UPRISING is going for the TRANSFORMERS feel but albeit with a better story and a few surprising twists. While it's basically another Hollywood action movie, it has something different going for it. The women are strong participants and are treated equally as the male characters.
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Warner Bros. and DC should forget the live action franchise movies, and release LEGO movies based on DC superheroes every year. THE LEGO BATMAN MOVIE is so much fun, irreverent and a must-see for all ages.
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When we say LONDON HAS FALLEN is a good film, we’re not talking about an Oscar-worthy film, but a what a popcorn flick should be. Here are three reasons why the Gerard Butler starrer is more enjoyable than the original and why it's a guilty pleasure.
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A wild premise and outlandish action stunts equals ridiculous fun at the movies with ABRAHAM LINCOLN: VAMPIRE HUNTER. In the hands of any other director, VAMPIRE HUNTER could've been a mess, but Timur Bekmambetov pulled off a very entertaining movie that requires the viewer to suspend belief in a big way.
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After the horrendously bad Men in Black 2, the third film in the franchise redeems itself by returning to the basics of what made the original film entertaining.
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It’s a familiar set-up that instantly sends both the horror connoisseur and averse newcomer into fits of eye-rolls: a virgin, a jock, a brain, a beauty and a stoner traipse into an isolated cottage for a weekend of free-fall debauchery before facing their imminent doom. But Joss Whedon and Drew Goddard’s “The Cabin in the Woods”, a rare genre offering that relies on the horror audience’s oft-ignored ability to both scrutinize and squirm, isn’t interested in delivering familiars.
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